The religiosity usually linked with cash value but always invoked in the name of culture and civilisation, is in fact a substitute for what painting lost when the camera made them reproducable. “Only if art is trapped of the false mystery and the false religiosity that surrounds it. This results in that meaning has become transmittable.” On authenticity (real/fake), how we talk about artĮxample of drawing of Leonardo presented behind bullet-proof glass and as a ‘relic in holy shrine’ Nearly everything that we learn or read about art encourages an attitude rather like that. Now the image travels to you and the meaning no longer resides in its unique painted surface. Behind its image is god, before it its believers. Extreme example is the icon: it marks the place of meaning. Everything around the image is part of its meaning. “Originally, Paintings were an integral part of the building for which they were designed. Context and situation-driven > by reproduction meaning becomes transmittable Making it available in any size, anywhere, for any purpose. This perspective makes the eye the cuter of the visible world The painting can only be in one place at one time, the camera reproduces it. The camera made it possible that appearances could travel across the world. The human eye could only be in one place at a time. That eye was -before the rise of photography- on a unique location in the world. This means the European perspective is leading. Ways of seeing relates the history of western oil painting (1400-1900) to the way we see today.Ī large part of seeing is based on habit and convention. How we look at painting in the 2nd half of 21C says something about ourselves and the situation we are living in. Cultural Diversity calls for equity (2017).About the Studio for Visual Pop.Culture.The Context: The Black Panther Party Playlist.The Context: The sampled history of the Black Panther Party – 1972/1982.The Context: The sampled history of the Black Panther Party – 1971.The Context: The sampled history of the Black Panther Party – 1970.The Context: The sampled history of the Black Panther Party – 1969.The Context: The sampled history of the Black Panther Party – 1968.The Context: The sampled history of the Black Panther Party – 1966/1967.The Original: Jailbird in a Peacock Chair.The Remix: The Legacy of a Panther in our pop.cultural imagination.Timeline of appropriations of Huey in a Rattan Chair.Ongoing Research #2: Remix in Visual Culture.
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